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But my future was to be one of limitless possibilities, where getting married was something I’d do when I was ready, to a man who was in every way my equal, and she didn’t want me to get tied down just yet.
This unfettered future was the promise of my time and place.
You and Me (released the same year Title IX was passed, also the year of my birth).
Marlo Thomas and Alan Alda’s retelling of “Atalanta,” the ancient Greek myth about a fleet-footed princess who longs to travel the world before finding her prince, became the theme song of my life.
Once, in high school, driving home from a family vacation, my mother turned to my boyfriend and me cuddling in the backseat and said, “Isn’t it time you two started seeing other people?
” She adored Brian—he was invited on family vacations!
I spent many a golden afternoon at my small New England liberal-arts college debating with friends the merits of leg-shaving and whether or not we’d take our husband’s surname.
(Even then, our concerns struck me as retro; hadn’t the women’s libbers tackled all this stuff already?