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Victor Frankenstein (Harry Treadaway), Mina Harker (Olivia Llewellyn), and Abraham Van Helsing (David Warner) have put in appearances; season three will add Dr. But the network's shoddy treatment of Person of Interest doesn't mean you should avoid toasting the show's final season, which sees stars Jim Caviezel and Michael Emerson taking The Machine on one last run. Having found a successful formula with The Walking Dead, AMC is doubling down on its investment in buzzy adaptations of bloody comic-book franchises with Preacher, which follows a violent, superpowered priest (Dominic Cooper), his ex-girlfriend, and a vampire on a quest to find and confront God. The first season established the foibles of the talented multigenerational cast: newly divorced Valerie (Michaela Watkins), as well as her mother (Frances Conroy), rakish younger brother (Tommy Dewey), and teenaged daughter (Tara Lynne Barr). A Netflix press release reveals that the series will have supernatural elements, so it's probably safe to assume that Stranger Things will take the viewer to some pretty strange places over its eight-episode first season. Vice Principals was co-created by Mc Bride and Jody Hill — and given that their previous HBO series was the no-holds-barred satire Netflix continues to broaden its slate of originals with The Get Down, a period musical drama co-created by Baz Luhrmann and Shawn Ryan.
Last year's season finale offered a cliffhanger that left the political career of Selina Meyer (Julia Louis-Dreyfus) in question, and by extension the fate of the United States — so it should be a blast watching Showtime's stylish horror drama can get bogged down in its own lurid plotting, but it has one undeniable asset: star Eva Green, delivering a powerful and deeply committed performance as a woman plagued by the devil himself. It probably has something to do with Orange's continued commitment to telling deeper, smarter, more diverse stories than you'd find in any other series — and now that we know it will be around for at least a few more years, the show's creative team can start laying the groundwork for the seasons to come. Roadies (Showtime, June 26) A passion project from writer/director Cameron Crowe (who could really use a hit right now), Roadies promises a behind-the-scenes look at a rock band on tour, as told by the grunts who make the show happen. The Night Of begins in the immediate aftermath of the murder of a young woman in New York City's Upper West Side, chronicling the various people who become involved in different aspects of the investigation and subsequent trial. — the twisty, stylish thriller that single-handedly obliterated USA's reputation for blandly disposable procedurals. Robot's second season aims to broaden the scope of the show's paranoid narrative, with protagonist Elliot (Rami Malek) adjusting to a new world order — and increasingly doubting his own sanity — in the wake of last year's climactic finale. Stranger Things (Netflix, July 15) Netflix's new original series is still largely shrouded in mystery — there's not even a trailer yet — but what we do know sounds intriguing.
's mash-up approach to gothic horror means that legendary characters like Dr. Person of Interest (CBS, May 3) first premiered way back in September 2011, but CBS isn't exactly giving the sci-fi thriller a rousing sendoff for its final season: The remaining episodes will be burned off with pretty much no fanfare, with two episodes airing per week until the series finale airs. All the usual Cameron Crowe tropes are there — a sprawling ensemble cast, corny philosophizing, Pearl Jam — but at a time when so many prestige TV shows are built around damaged antiheroes, it's refreshing to see a network like Showtime push a series with such warm-hearted optimism. Stars include John Turturro, Riz Ahmed, and Michael K. The story follows Joyce (Winona Ryder), a woman attempting to uncover what happened to a young boy who inexplicably disappeared. But while that description doesn't inspire a ton of confidence, and the series could certainly stand to aim a little higher, it does have one thing that no other TV show can offer: Dwayne "The Rock" Johnson on your TV screen every single week. Vice Principals (HBO, July 17) HBO's newest comedy, which follows a pair of vice principals gunning for the principal job at a midwestern high school, has two ideal leads for this kind of over-the-top comic premise: Danny Mc Bride and Walton Goggins.
With old favorites returning for another run, promising new shows arriving all the time, and entire seasons arriving on a variety of streaming services, how can you keep up?
I've done my best to sort through every possible option and winnow it all down to the most interesting TV shows of 2016, so you can pick and choose the ones that most appeal to you.
The TV series has officially caught up with its literary source material, which remains unfinished, and author George R. Martin recently confirmed that the next book won't be published before the sixth season premieres.
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The series, which follows a scruffy group of programmers (led by Thomas Middleditch) navigating the high-stakes world of the tech boom, keeps one-upping itself, as new allies and competitors arrive to give or claim millions of dollars from the show's hapless leads. HBO's terrific political satire (and reliable Emmy darling) suffered a blow when showrunner Armando Ianucci stepped down at the conclusion of last year's fourth season. Simpson, you'll get a totally different experience out of O. The ambitious new series is a documentary, not a drama, and it takes a broader scope of Simpson's life and career, beginning with his childhood and ending with today, as he sits in prison after a 2013 conviction for armed robbery. Orange is the New Black (Netflix, June 17) Earlier this year, Netflix made a near-unprecedented decision to renew the prison dramedy Orange is the New Black for a fifth, sixth, and seventh season — and all before the fourth season had even premiered.
Fortunately, the network locked down a capable replacement: David Mandel, best known for his work on . But even if you've devoured every episode of American Crime Story: The People vs. What inspires that level of confidence in a TV series?