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Marlo Thomas and Alan Alda’s retelling of “Atalanta,” the ancient Greek myth about a fleet-footed princess who longs to travel the world before finding her prince, became the theme song of my life.Once, in high school, driving home from a family vacation, my mother turned to my boyfriend and me cuddling in the backseat and said, “Isn’t it time you two started seeing other people?
He was (and remains) an exceptional person, intelligent, good-looking, loyal, kind. (A friend who suffered my company a lot that summer sent me a birthday text this past July: “A decade ago you and I were reuniting, and you were crying a lot.”) I missed Allan desperately—his calm, sure voice; the sweetly fastidious way he folded his shirts. A report on the unprecedented role reversal now under way—and its vast cultural consequences. It comes near to being a disgrace not to be married at all." Ten years later, I occasionally ask myself the same question.
This unfettered future was the promise of my time and place.